DESIGNISSO

Design | Portfolio

Portfolio

'22.05.09.

Dorottya Vértessy's portfolio features a contemporary fine dining serving set alongside a Zsolnay-style painted porcelain vase, a sushi dinner set with Japanese elegance and rustic fired ceramics.

From Japan to Kecskemét – Dorottya Vértessy’s ceramics

Textile | Interview

Interview

'22.04.28.

Prints suggesting spatial depth, NASA uniforms, clothing created around dichotomies and a collection on the fringes of the virtual world. Luca Batke’s textiles are straddling the line between minimalism and experimental design.

Minimalism maximised – Luca Batke’s portfolio

Photography

'22.04.25.

Domonkos Varga used to focus almost exclusively on documentary photography, but he soon realised he wanted to find his own voice, along with a style with which he could fully identify.

“I am not looking to spoon-feed people the answers” – Domonkos Varga’s portfolio

Design

'22.04.19.

How many interpretations can objects have? How can meaning be planned? We discussed questions of semiotics, related research, and his experience as a lecturer with Péter Wunderlich, and even the subject of Godzilla and Bauhaus classes came up.

“What matters is to spark a sense of wonder” – interview with semiotician Péter Wunderlich

Architecture

'22.04.11.

We have visited the “Hidden Dimension” exhibition of the architect class of 2021 that graduated in lockdown. The socially sensitive designs were coupled with and reflections on statements by anthropologist Edward T. Hallst that are still relevant today.

Designed care

Architecture

'22.04.04.

Fanni Hegyi’s concept covers the care of architectural and artistic heritage, the supporting of the young generation, and city branding.

The Vasarely tower – Fanni Hegyi’s architectural concept

Design

'22.03.28.

Featuring a selection of experimental concepts developed by students of Moholy-Nagy University of Art and Design which can provide rolling alternatives to help adapt to changes in urban life.

Rolling alternatives for life in big cities

Textile

'22.03.23.

The collection was inspired by protests, prison uniforms and a blunder related to the “Lorem Ipsum” dummy text. Each item in it was intended by the designer to represent the shedding of our old skins and the joining of forces of various factions of society.

“This project is my one-man rebellion” – Lorem Ipsum by Valentin Szarvas

Design

'22.03.11.

Mihály Minkó and Dóri Szilágyi are experimenting with bio-composites, using Mycelium extracted from fungi at MOME’s laboratory.

With Mycelium for the future of mankind – Interview with Mihály Minkó

Design

'22.03.07.

A few years ago it needed explanation, but now it is the new standard. We talked to UX researcher Anna Naszádi about interaction design, a newly launching university course, synaesthesia and the ups and downs of professional life.

“We are looking for a mindset, not just technical skills” – Interview with Anna Naszádi

Textile

'22.03.04.

Eszter Kain’s modular accessory with multiple conversion options puts the concept of circularity into effect and brings back Saint Lucy's Day traditions.

The relationship between object and tradition – Eszter Kain’s ‘St. Lucy’s chair’ handbag

Photography

'22.02.28.

In 2014, she had a baby, graduated from high school and moved out.

“I am the one left to deal with the fallout” – Family, children and peculiar figures in Emma Szabó’s photos

Design

'22.02.16.

Zsófia Gizella Biró reflects on her own self-awareness journey through her jewelleries.

Getting closer to ourselves – Zsófia Gizella Biró’s self-awareness jewelleries

Design

'22.02.14.

Experimental ideas by young designers to make areas in Hungary affected by global warming more liveable.

Hungarian design fiction – From genetically engineered bees to the Kunság Kiwinery

Design

'22.02.10.

Second year graphic design student Vilmos Sas is seeking to explore aspects of taking ownership using the tools of graphic design.

Consumption criticism made suitable for consumption – A portfolio by Vilmos Sas

Photography

'22.02.07.

We asked Gábor Máté and Gábor Arion Kudász about international trend following, the conclusions of the “Work in Context” symposium organised by them, and whether there is such a thing as an Eastern European photographer identity.

“Hungarian photography is often modest, anxious and critical”

Graphic Design

'22.02.02.

Due to the vast size of available storage space, we hardly ever sit down to select data afterwards, with the result that photos, videos and texts keep piling up on our computers.

Seven Etudes on Data Compression – Installations by Áron Vásárhelyi

Design

'22.01.28.

Balázs Telegdi’s art overwrites all general associations when it comes to materials: rigid becomes flexible, and the transparent is full of mystery.

Establishing the tradition of glass blowing – Interview with glass artist Balázs Telegdi

Photography

'22.01.25.

Anna Franciska Legát seeks to answer the question how to remember a past that she hasn’t lived.

What’s all this drama? – Anna Franciska Legát’s photos about socialism

Photography

'22.01.24.

Every first exhibition is also and necessarily a retrospective one. And in the case of János R. Szabó, this statement is perhaps a hundred times as true.

Moving on after returning home – János R. Szabó’s exhibition at the Capa Center

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