DESIGNISSO - magazine for design and visual arts

Photography | Project

Project

'23.05.04.

With her 12 gestures series, contemporary photographer Anna Fabricius contrasts the positivistic vision of the 60s with today’s negativistic image of the future.

Looking ahead into dystopia – Photos by Anna Fabricius

Design | Project

Project

'23.05.02.

Ice caps melting, cities flooded, tropical coral reefs deteriorating – seen from Central Europe, extreme consequences of climate change seem remote and obscure. Levente Kiss Botond’s regional vision, however, is of a Hungary in 2050, where bees have disappeared as a result of climate warming.

Honey in a post-apiary world – Levente Kiss Botond’s award-winning design fiction

Media

'23.04.27.

Gender segregation at the workplace is still present today despite women having an increasingly wide range of career opportunities. Looking back at socialist clothing factories for example, we can see several similarities between workplace gender roles now and then.

Bullfight at the clothing factory – A video performance by Violetta Vigh

Design

'23.04.21.

We discussed the situation of the Hungarian creative industries, opportunities for networking, and last but not least, the vision for the new programme, among other things.

“A designer designs solutions rather than products” – Interview András Húnfalvi

Architecture

'23.04.13.

The design concept of the Funeral Parlour involves the use of hibernating human bodies as energy sources stored in subterranean incubator farms with the brains hooked up to virtual reality to create a sort of digital afterlife.

Until we get turned into energy sources – a dystopian project by Lehel Heim and Máté Csapody

Photography

'23.03.31.

The path into the deeper layers of family memory and the search for identity is the main drive for both Lola Eördögh’s ‘My Good People, My God’s People’, and Ornella Mari’s ‘Wanna be my lover?’ photo series.

Confessions About Family – Photo Series by Lola Eördögh and Ornella Mari

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