Children are curious about the past. By the time they start taking history at school though, they have already been exposed to a great deal of half-truths and are ill-equipped to make head or tail of the various stories on their own. Szonja Somogyvári’s We Will Be Grave Robbers is a reflection on this situation.
Can the power of nature be invoked through an object? Ádám Barcsai’s NIIGATA project also explores the compatibility of tradition and digital technologies.
Fashion accessory, contemporary jewellery, collectible item, or home decor? UTO is not easy to label, fluidly treading the line between the various genres, between functional and conceptual.
Judit Spanyár’s photo project Confrontation explores the conflict between opposing individual stories rooted in pluralistic history and paralel narratives.